graduated from the Musikhochschule Lübeck, Germany, receiving the degree "Konzert-Examen". He was a pupil in the master
class of Prof. Eliza Hansen and Prof. Peter Roggenkamp. 1985 - 2000 he was serving as an Assistant Professor for Piano
Accompaniment at the Musikhochschule Lübeck.
He is a member of various ensembles and often very much demanded as a piano accompanist with international master classes of
outstanding instrumental soloists.
He has participated in disc recordings and radio broadcasts as well as in concert live recordings of the Norddeutscher
Rundfunk (NDR/Germany) and the Mexican TV.
As a soloist and chamber music partner he has regularly toured throughout Germany, as well as through Austria (Vienna),
Denmark, Norway, Switzerland and Mexico.
"... Hans-Peter Nauk perfectly combined both solid instrumental skills and musicianship."
HAMBURGER ABENDBLATT, Germany
"... Beethoven's pianistic filigree became new delightning awareness through Peter Nauk. A magic performance of scales and
arpeggiated chords; poetry of manual touch - classical up to the finger tips. Applause of compelling admiration."
HERFORDER KREISBLATT, Germany
"... an artist with superior mastery of the keyboard, with great subtlety in the manual touch and sheer joy of playing,
that spontaneously effected the audience."
LÜBECKER NACHRICHTEN, Germany
"... a true musician with real sensitivity for musical correspondence and common recreation of each phrase."
DIE GLOCKE, Germany
"... Hans-Peter Nauk not only fabulously mastered the part of Beethoven's 3rd concerto, but also wistfully sensitive,
virtuoso. He developed a manual touch that is bordering on the miraculous. A storm of applause!"
NEUE WESTFÄLISCHE, Germany
"... a pianist who is also combining abilities of an outstanding accompanist."
SÜDWEST PRESSE, Germany
"The encounter with the pianist Peter Nauk turned into a real revelation. He performed Franz Schubert's great sonata
in A-major with incredible manual skills. Impressing was the musicianship spanning the whole person, perceptibly in each
phrase. That was effection and great sensitivity in Schubert's music with 'singing' notes he had drawn the instrument
..."
NEUE WESTFÄLISCHE, Germany
"... Peter Nauk accompanied at the piano with outstanding culture of sound."
LÜBECKER NACHRICHTEN
"... Peter Nauk played with highest sensitivity. Not only his astonishing skills, that never turned into a just virtuoso
purpose, but also his complex culture of manual touch fired the audience - you had to listen to that!"
WESTFALEN BLATT, Germany
